Probably my favourite listening experience was the surround supercollider experience. This is partly because this is not something I'm used too but I reckon it's a worthwhile endeavor. I think that the current consumer craze is a little stupid cause I'd much prefer decent stereo sound than poor surround and a lower mids gap between the sub and sattelite speakers....
But luckily the Blue Skys have no such problems.... I loved being able to close my eyes and imagine I was in a jungle of crazy machines. I enjoy Super Collider's glassy sound sometimes (during 3rd year presentations). I'd like to hear it used with other contrasting elements.
The piano chord generator really interested me. I understand the chord choosing algorithm, but I didn't quite get how the rhythm generator works. I think was a really impressive example of this kind of patch. The output sounded really quite musical, I think because of the clever chord voicing system.
The melody warper was a rad idea that worked well I think however I was a bit distracted by all the changes of tempo (which were a good idea). I think it would be awesome to record the midi and render it elsewhere...
Reference: Stephen Whittington. "Week 9 Music Technology Forum - 3rd Year Presentations." Lecture presented at the Electronic Music Unit, University of Adelaide, 9 October 2008.
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