The startup order makes sense because it essentially works through the signal chain towards the monitors. A pop emitted by a piece of gear being turned on is only ever transmitted down the chain to a unit that is turned off and can't be damaged.
When I began trying to patch in outboard equipment I initially had issues when I accidentally mixed up the input and output jacks on the patch bay. This should become easy to avoid as output is always a top row and input the bottom row. I monitored through the Genelec speakers, however headphone monitoring should be easy to patch by feeding the headphone amp with the mixer outputs, or creating cue mixes using aux sends. One issue in live monitoring is that a signal may be fed to the monitors through it's mixer channel and protools simultaneously. In order to avoid hearing both signals mixed (they will probably sound phasey) then either protools or analog mixer monitoring should be disabled.
References:
- Studio 2 Guide - EMU website - http accessed 15/3/08 - http://emu.adelaide.edu.au/resources/guides/spaces/pdfs/studio2.guide.pdf
- Lokan, David - Lecture given on 11/3/08
1 comment:
Good report, once you get used to using the patchbay the studio becomes really straight-forward yet powerful. Its a good point about the monitor signal..usually being able to monitor the signal off input ensures you are avoiding latency issues. thanks for the vocal track!
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