This wasn't immediately apparent, because the session began with a bleeping sound installation that referenced Tristram's time as a navy radar operator (though the 2nd and 3rd years couldn't see the connection).
Steven explained some of Tristram's work and then we watched a documentary about him and his fellow "Electronic Music Studio" members. I was surprised that I hadn't heard of any of these pioneers while the house of Moog gets so much attention.
In reply to Steven's suggestion that the study of history is worthwhile, after spending 2 minutes with Carey's relatively simple "picnic" synthesizer (as used by Pink Floyd), I agree. I think that by looking at the origins of electronic music we can find new pathways, that were never fully explored; in 2 minutes I heard sounds from "synthy" with character that I have never experienced from the software which dominates today. Another discussion I found interesting was the differing attitudes of the early electronic musicians towards popular modern electronic music genres.
Reference: Stephen Whittington. "Week 7 Music Technology Forum - Tristram Carey". Lecture presented at Electronic Music Unit, University of Adelaide, 1 May 2008
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